COMMENTARY: “Local ka or national media?”

NAZI copyDAVAO CITY (MindaNews/11 April) — That’s always the question Presidential Management Staff (PMS) personnel ask journalists during Presidential sorties in Mindanao.

Even media handlers of some high ranking government officials who visi the provinces, also ask the same question.
Why? The answer is simple: you get special treatment if you’re “national.”

You get to interview longer, have more photo opportunities or be given the priority in asking questions during press conferences.
A day before Presidential visits here, the Philippine Information Agency and PMS personnel brief reporters about the purpose of the visit and the President’s itinerary.

The PIA then hands over to the journalist his/her accreditation card or sticker for that specific event. Without accreditation, the Presidential Security Group (PSG) won’t allow you in. Read more »

What is the World? Participatory Photography in the Documentary Tradition

Imbued with a sense of authenticity that pleases old-fashioned tendencies and the post-modern discomfort with anything that claims more than an outsider’s political correctness, participatory photography teases the edges of documentary practice and poses some unique challenges and opportunities to photographers in the tradition.

In 1992, the John D. and Katherine T. MacArthur Foundation awarded one of its “genius grants” to a photographer who pioneered this practice of putting the camera in the hands of people previously deemed subjects. The photographer, Wendy Ewald , used this method in disparate locations around the world, allowing each collection of images to construct a local, organic narrative. And in a further compelling move, she elected to put the cameras into the hands of marginalized classes, often women and children. Read more »

Goodbye, Mom

By Victor and Adelle /On the Road, Again

This was first published August 5, 2009 in MindaNews as a tribute to President Corazon Aquino, whose death on August 3, 2009 stirred a nation’s collective bereavement and rekindled hopes that her passing would signal national action for governance reforms.

MANILA — In a patch of land trapped between the  asphalt strip of Roxas Blvd., and the soggy green of Luneta Park, we waved our last farewell this noon to a woman everyone fondly calls  Cory, who, if she were to be reckoned by what everyone was saying ever since she passed away, is nothing short of a living saint.

It was in this same area in late 1985 that that same woman took  everybody’s breath away by agreeing to take on the Marcos monolith  promising hope, something that for more than 20 years had eluded most Filipinos beguiled or benumbed by the siren song of iron rule.

Our minds are on auto-flashback, linking the day’s turnout of yellow throngs to those that rocked the streets of Metro Manila in the 1980s  that eventually led to the People Power revolt in 1986. We talk of how, as journalists, we’ve chased both the story and the dream.  Now,  instead of press cards that would allow us easier access, we raise our hand-made placards instead, even though in the backs of our minds we  knew those pathetic signs would be lost in the sea of yellow balloons and giant streamers.  We just wanted to say goodbye and pay homage to someone who has deeply touched our lives without our exactly knowing why.

We stand in the rain, and not having the eloquence of a Teddy Boy Locsin when talking about his former chief in a touching eulogy the night before, we simply allow the moment to sweep us on winged feet, at a loss for words.

“Are you crying?” she asks.  “No, it’s just the rain, and something must have gotten in my eyes, both of them.”

When we look around, we see smiling faces laced with tears and, daring to breach people’s solemn grief, ask a middle-aged man why. He just said, “because I have lost someone I love…someone who, though she personally doesn’t know me, had given me hope when she became president.”

Having spent the night before bravely trying to get into the cathedral to catch a glimpse of this magical person, and after a few hours in a queue eventually accepting the fact that faltering legs could not in any manner be made to move by willed spirit, we saw the same upturned, rapturous  faces.  I dare not say dolorous.  The atmosphere was decidedly festive, as in EDSA 1, but there was something electric in the way people were solicitous, helpful, respectful, and caring even, I would say.

She looks at a giant tarpaulin billboard of Cory where people are scrawling their farewell messages and says, “When I lost my mom, I felt this deep sadness and overwhelming grief, but she had also taught me how to live and I think that’s what Cory did and what she is all about…she is mother to us all.”

This time we laugh and let our tears fall.  We know what do…we just have to do it. (Victor and Adelle are the pennames of Red Batario and
Girlie Alvarez who now consider themselves occasional journalists. The On the Road column ran for more than four years in The Manila
Chronicle)